Tall clay objects tend to bend of their own accord (particularly when the clay is warm) and you don’t want to constantly twist something back into the correct posture between shots. If you choose clay it’s a good idea to wrap it around a wire armature (skeleton). Traditionalists will turn to modeling clay. Fortunately, you can animate just about anything. Your stop-motion video will be mighty dull if you put nothing more interesting than a bare wall in front of the camera. Whether you choose work lights, daylight bulbs, or the lights in a lighting kit, adjust the white balance on your camera to find the setting that works best with the light you use. To cut down on harsh shadow, diffuse that light with a white bed sheet, white shower curtain, or sheet of diffusing material found at a photographic supply shop.Īlternatively you can use a couple of table lamps with daylight bulbs or purchase a small-object lighting kit such as American Recorder’s $130 You can inexpensively light your sets with a couple of tungsten work lights from your local Home Depot or Lowe’s. Light changes over time and if you don’t control your primary light sources the quality of light within each shot will vary, making for an uneven looking video. If you’re animating small objects-clay figures, Lego, or toys-a desktop tripod will often do the trick. It’s vital that your camera stay in one place when you shoot a scene and a tripod can provide that service.
ISTOPMOTION GOPRO SOFTWARE
Both iStopMotion 2 and Dragon Stop Motion support time-lapse shooting, provide an on-screen grid so you can more carefully design your shots, and include a feature for adding and offsetting soundtracks.Īccessories A camera and the right software can be enough to get you started, but you’ll create better-looking projects with a few additional items. D-Zed includes the Dragon Stop Motion Controller-a wired USB keypad-for controlling the software and performing camera captures. iStopMotion 2 additionally lets you use Apple’s hardware remote control (with Macs that support it) to trigger captures. All versions include onion skinning, allow you to use both camcorders and supported still cameras, and include a compositing feature for adding background images and foreground frames.īoinx’s iStopMotion 2 includes a compositing feature for applying foreground and background images.įrameByFrame, iStopMotion 2, and Dragon Stop Motion let you trigger your camcorder and-in the case of the latter two applications, supported still camera-via the Mac’s keyboard or remote control.
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Like the Home version, iStopMotion 2 Express doesn’t support HD video or provide integration withįinal Cut Pro ( ). The Home version lacks support for rotoscoping (used for lip syncing dialog) and soundtracks, and doesn’t allow continuous recording (shooting a user-defined number of frames or seconds of video) or offer noise reduction. FrameByFrame doesn’t support still cameras nor can it import still images.īoinx Software makes three flavors of its capable stop-motion animation application, Using onion skinning you can see how much you’ve moved the object in relation to its last position, thus helping to ensure that the movement between frames is neither too minimal or radical. It supports a form of onion skinning-a feature that displays a semi-transparent overlay of the last frame you shot along with the image of the object currently in front of the camera. However, while iMovie ’09 is affordable (particularly if it was bundled with your new Mac), there are tools better suited for the job.įrameByFrame is a bare-bones stop-motion animation application that works with a DV camcorder or iSight camera.
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And, for Mac users, that generally means iMovie ’09.
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Software As stop-motion animation is little more than still images pieced together in a sequence, you can create a movie with any video application you like.
If you have the option, a good still camera will produce better images than a typical consumer camcorder because of the camera’s better sensor you get greater control over focus, aperture, depth of field, and white balance, and the variety of lenses you can use. IMovie ’09 ( ), you’ll use a still camera to capture your images, import them to your Mac, and add them to an iMovie project.Īpplications designed specifically for stop-motion animation can not only import images shot with a still camera (some can capture live images directly through the camera) but also capture images from a camcorder tethered to the Mac via USB or Firewire. If you use a traditional movie editing application such as Which you choose largely depends on the software you use to assemble your animation.
This can be either a digital still camera or a camcorder. Although you could conceivably use your Mac’s built-in iSight camera, you’re far better off with a real camera that captures higher-quality images. Camera You can’t very well capture still images without a camera.
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